Part 2 References

References

Andras Varga, B (1996). Conversations with Iannis Xenakis. London: Faber and Faber Limited Bartolozzi, B (1969). New Sounds for Woodwinds. 2nd ed. Hong Kong: Oxford University Press. Battisti, F (2002). The Winds of Change. 1st ed. Galesville, MD: Meredith Music Publications. Bergstroem-Nielsen, C (1993). Graphic Notation as a Tool in Describing and Analyzing Music Therapy Improvisations. Music Therapy (official publication of the American Association for Music Therapy, AAMT). Vol. 12, pp.40. Britten-Pears Foundation (n.d.). The Turn of the Screw [online]. Available at: http://www.brittenpears.org/page.php?page id=645. [Accessed 13 August 2013]. Classical Music Journal (2006). Aleatoric Music - John Cage and The Random in Music [online]. Available at: http://www.classicalmusicjournal.com.au/john-cage-aleatoric-music. [Accessed 16 August 2013]. Cook, N. and Pople, A. (2004). The Cambridge history of twentieth-century music. Cambridge: Cambridge University Press. Dictionary.com: definition - music [online]. (n.d.). Available at: http://dictionary.reference.com/browse/music. [Accessed 16th August 2013]. Feisst, S (2002). New Music Box: Losing Control: Indeterminacy and Improvisation in Music Since 1950 [online]. Available at: http://www.newmusicbox.org/articles/Losing-Control-Indeterminacy-and-Improvisation- in-Music-Since-1950. [Accessed 15 August 2013].

Ford, C & Ross, CW (n.d.). Aleatoric Music [online]. Available at: http://www.thecanadianencyclopedia.com/articles/emc/aleatoric-music. [Accessed 16 August 2013].

Horton, A (1999). Soviet Composers Crushed by Stalin [online]. Available at: http://www.ce-review.org/99/1/music1_horton.html. [Accessed 13 August 2013].

Kahn, J & Kahn, E (n.d.). Shostakovich: Symphony No.5 [online]. Available at: http://www.amarillosymphony.org/program-notes-shostakovich-symphony5. [Accessed 13 August 2013].

Kennedy, K (2007). Oxford Concise Dictionary of Music. 5th. ed. New York: Oxford University Press.

LA Philharmonic Association (2013). Maurice Ravel [online]. Available at: http://www.laphil.com/philpedia/maurice-ravel. [Accessed 12 August 2013].

Marshall, S (n.d.). John Cage’s I Ching chance operations [online]. Available at: http://www.biroco.com/yijing/cage.htm. [Accessed 15 August 2013].

Pritchett, J (1993). The Music of John Cage. Music in the 20th Century. Cambridge, New York, Melbourne: Cambridge University Press.

Pritchett, J (2009). What silence taught John Cage: The story of 4'33"" [online]. Available at: http://www.rosewhitemusic.com/cage/texts/WhatSilenceTaughtCage.html. [Accessed 16 August 2013].

Roberto Zamarin (1966). Berberian's Stripsody Score (plate IV, image cutout) [online]. Available at: http://musicomix.wordpress.com/stripsody. [Accessed 14 August 2013].

Smith Brindle, R (1975). The New Music: The Avant Garde since 1945. London: Oxford University Press.

Solomon, L (2002). The Sounds of Silence: John Cage and 4'33"" [online]. Available at: http://solomonsmusic.net/4min33se.htm. [Accessed 16 August 2013].

Sweetwater (2004). Aleatoric Music (Composition) [online]. Available at: http://www.sweetwater.com/insync/aleatoric-music-composition. [Accessed 15 August 2013].

The Guardian. 2007. The silence of Sibelius. [online] Available at: http://www.theguardian.com/music/2007/sep/20/classicalmusicandopera1. [Accessed: 12 August 2013].

Weaver, E (n.d.).  Indeterminacy [online].  Avaliable at: http://ems.music.illinois.edu/courses/tipei/M202/Notes/cage1.html. [Accessed 15 August 2013)

Wendt, R (2012). WANTED: a labyrinth, an abstraction, an escape from the spiritual void in the post-empire age [online]. Available at: http://robwendt.wordpress.com/tag/pierre-boulez. [Accessed 16 August 2013].

Xenakis, I (1970). Oresteia page 1 [online]. Available at: http://blog.wfmu.org/freeform/2007/01/gallery_of_musi.html. [Accessed 15 August 2013].