Saturday, 24 May 2014

References and Bibliography for Part Five

Atlas, W.E. (1998). Renaissance Music: Music in Western Europe 1400 – 1600. USA: WW Norton & Company.

Baroque Music: About the Baroque Period [online]. (n.d.). Available from: <http://www.baroque.org/baroque/whatis.shtml#whatis>. [Accessed 20th January 2014].

Blake (1997). The Land Without Music: Music, Culture and Society in Twentieth Century Britain. Manchester, UK: University of Manchester Press.

Blume, F. (1968). Renaissance & Baroque Music: A Comprehensive Survey. London: Faber & Faber.

Brett, P. (2007). William Byrd and his contemporaries: Essays and a Monograph. USA: University of California Press.

Brooker, G (2003). Interview with Jeff Parets. 27th July. Scottsdale Center for the Arts. Avaliable from: http://www.procolharum.com/003/scottsdale_gb-int.htm. [Accessed 20th May 2014].

Bukofzer,M.F. (1947). Music in the Baroque Era. New York, USA: Vail-Ballou Press.

Burkholder, J. Peter, Donald Jay Grout, and Claude V. Palisca. (2010). A History of
Western Music.  8th ed. New York: W. W. Norton.

Cyr, M (2012). Style and Performance for Bowed String Instruments in the French Baroque Music. Farnham, UK: Ashgate Publishing Limited.

Dreyfus (1996). Bach and the Patterns of Invention. 2nd. ed. USA: Harvard University Press.

Fischer, HG. (1984). The Renaissance Sackbut and Its Use Today. New York: The Stinehour Press.

Fisher, M (2000). Interview with Miles Kingston. 25 March 2000. BBC Radio 2: London. Avaliable from: http://www.procolharum.com/99/mf_250300-text.htm. [Accessed 20th May 2014].

Forkel, J & Terry, C. (2008). Johann Sebastian Bach, his Life, Art, and Work, Kindle version, accessed 17 May 2014 from Amazon.co.uk.

Forrest-Kelly (2011). Early Music: A Very Short Introduction. New York, USA: Oxford University Press.

Getzinger, D (2004). Antonio Vivaldi and the Baroque Tradition: Classical Composers. North Carolina, USA: Morgan Reynolds Publishing.

Goetschius, P. (1915) The Larger Forms of Musical Composition: An Exhaustive Explanation of the Variations, Rondos, and Sonata Designs, for the General Student of Musical Analysis, and for the Special Student of Structural Composition. New York, USA: G. Schirmer.

Goluses, T (n.d.). BACH, J.S.: Sonatas, BWV 1001, 1003 and 1005 [online]. Available from: <http://www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.553193>. [Accessed 15th May 2014].

Harman, A & Milner, A. (2007). Late Renaissance and Baroque Music. 2nd ed.  London, UK: Barrie & Jenkins. 

Kennedy, K & Kennedy, J. (2007). Oxford Concise Dictionary of Music. 5th. ed. New York: Oxford University Press.

Kirby, F.E. (1984). The Germany Symphony in the Eighteenth Century: Bridge to the Romantic Era. UK: Gordon.

Knighton, T & Fallows, D. (1992). Companion to Medieval and Renaissance Music. Oxford, UK: Oxford University Press.

Krei, S (2000). Renaissance Humanism [online]. Available from: <http://www.historyguide.org/intellect/humanism.html>. [Accessed 17th May 2014].

Lockair, D (n.d.). Sonata da Cheisa [online]. Available from: <http://www.locklair.com/wp/compositions/organ/sonata-da-chiesa>. [Accessed 14th May 2014].

Long, M (2008). Beautiful Monsters: Imagining the Classic in Musical Media. Los Angeles, USA: University of California Press.

Merriam-Webster Dictionary: Entry - Fugue [online]. (n.d.). Available from: <http://www.merriam-webster.com/dictionary/fugue>. [Accessed 14th May 2014].

O'Rourke-Jones, R & Summers, D(eds). (2013). Music: The Definitive Visual History. London, UK: Dorling-Kindersley London.

Owen Lee, M (2005). The Great Instrumental Works: Unlocking the Masters Series. New Jersey, USA: Amadeus Press Ltd.

Rosco, B.J. (2004). Images, Vol 3L Original Piano Repertoire Representing Musical Styles Through The Eras. USA: Alfred Publishing Co. Ltd.

Scott-Irvine, H (2012). Procol Harum: The Ghosts of A Whiter Shade of Pale. London, UK: Omnibus Press.

Shepherd (n.d.). The History of Music [online]. Available from: <http://webpages.shepherd.edu/BREICH01/>. [Accessed 8th May 2014].

Smith, T (1996). The Canons and Fugues of J. S. Bach: Glossary [online]. Available from: <http://jan.ucc.nau.edu/tas3/glossary.html>. [Accessed 14th May 2014].

Stultz, M (2010). The Choral Music of Eric Whitacre [online]. Available from: <http://www.spectrum-music.com/CRSummer2010.html>. [Accessed 16th May 2014].

Thomas, B. (1974). An Introduction to the Crumhorn Repertoire: Early Music 2/3, Playing the Crumhorn: first steps. . UK: Oxford University Press.

Traditional Music in the Time of Vermeer: The Crumhorn [online]. (n.d.). Available from: <http://www.essentialvermeer.com/folk_music/crumhorn.html#.U3J9j6WLOlI>. [Accessed 9th May 2014].

Whitacre, E (n.d.). Lux Aurumque - SATB Choral [online]. Available from: <http://ericwhitacre.com/music-catalog/satb-choral/lux-aurumque>. [Accessed 16th May 2014].

Winternitz, E (n.d.). The Evolution of the Baroque Orchestra [online]. Available from: <www.metmuseum.org/pubs/bulletins/1/pdf/3257569.pdf.bannered.pdf>. [Accessed 20th January 2014].

Yale University Music Library: [online]. (n.d.). Available from: <http://www.library.yale.edu/cataloging/music/glossary.htm>. [Accessed 14th May 2014].

Yearsley, D (2012). Bach's Feet: The Organ Pedals in European Culture. Cambridge, UK: Cambridge University Press.



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